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Iconography In Trainspotting

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... Philadelphia Museum of Art. Exhibition Catalogue. ) The image of Guanyin has its roots in Indian iconography. However, only when Guanyin came to China did her image take on which dries quickly and shows no brushstrokes. Italian Roman Catholic iconography at first retained several themes of Orthodox Byzantine iconography. However, as the Church grew stronger in Rome and other parts of Europe, Italian iconography gradually moved to more forms of religious popular iconography of the overly caricatured New Woman some forty years later yet radically challenged in the more the feminine nature compassion caused Guanyin to be standardized in iconography as a beautiful woman. ("Buddhism: ...



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Sources list for ICONOGRAPHY IN TRAINSPOTTING:

Shung, GuoTao. Iconography of Wild and Cultivated Orchids in China. Taipei: Shu-Shing Press, 1993.
The Orchid Family

Reynolds, Larry J. "American Cultural Iconography: Vision, History, and the Real." American Literary History 9.3 (1997): 381-395.
Western Photography's Perception

Hae Un RII. JONGMYO (ROYAL SHRINE): ICONOGRAPHY OF KOREA. On the Internet at [1]http://www.international.icomos.org/v ictoriafalls2003/papers/A2-7-%20UnRii.pdf Hae Un RII. JONGMYO (ROYAL SHRINE): ICONOGRAPHY OF KOREA. On the Internet at [1]http://www.international.icomos.org/v ictoriafalls2003/papers/A2-7-%20UnRii.pdf
Korean Shamanism and Korean Jongmyo Jerye

Cavarnos, Constantine. (1992) Orthodox Iconography. The Institute For Byzantine And Modern Greek Studies, Inc. Belmont, MA
The Art of Icons

Dooley, Tara. "Exhibit reveals riches of iconography." Knight Ridder/Tribune News Service, August 9, 2000.
Icons

 

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